Government Inspector revolves around a case of mistaken identity in a small Russian town. When the town's corrupt officials learn that an incognito government inspector is coming to investigate them, they panic and mistakenly identify a lowly civil servant named Khlestakov, as the inspector. Realizing their mistake, Khlestakov seizes the opportunity to accept bribes and revel in the town’s hospitality. Desperate to hide their corruption, the officials go to absurd lengths to please him. Government Inspector is a brilliant critique of bureaucracy and corruption, filled with humour and sharp social commentary.
By Nikolai Gogol
A new version by: David Harrower
From a literal translation by: Charlotte Pyke
Directed by: Krista Jackson
Poster design by Augusta LutynskiSCD3, Nezren Pittoors-McMahonPDTA3 and Meg GibsonA3.
A Word From Our Director
In the preface to Nikolai Gogol’s Collected Tales, translator Richard Pevear writes:
Gogol saw the fiction of ranks, not as evil to be exposed, but as an instance of the groundlessness of reality itself, and of the incantatory power of words.
This has guided us as we cracked open Harrower’s adaptation of The Government Inspector. The setting is a small provincial town in Gogol's own Ukraine, which was under Russian rule in 1836. An echo to the continued Russian expansion and colonization in the region, the play richly satirizes corruption and hypocrisy using provincial characters who uphold rank while trying to climb the social ladder. Through the device of mistaken identity, Gogol also shines a bright light on the inhumane conditions of the serf and peasant/shopkeeper class of his time. His weapon against oppressive force is words and he fires in all directions with an absurd, satirical farce that blows raspberries in the face of the motherland.
It has been an immense pleasure building this world with an exceptional graduating class of artists. In the words of Chekhov:
We have worked mindfully, cheerfully, tirelessly, unanimously.
Thank you for joining us!
Krista Jackson
Director
***
Headshot by Kevin McIntyre
Team
CAST - Graduating Students
Benan AliA3 Khlestakov Edmonton, AB Traditional territory of the Cree, Dene, Nakota Sioux, Anishinaabe, and Niitsitapi
Oshen AounA3 Osip, Police Superintendant Lebanon
Jake BunyanA3 Zemlyanika, Avdotya, Shopkeeper Calgary, AB Traditional and ancestral territory of the Blackfoot Confederacy, Tsuut'ina Nation, Stoney Nakoda, and home to the Métis Nation of Alberta (Districts 5 and 6).
Jake CohenA3 Zemlyanika, Shopkeeper Tiohtià:ke/Montréal, QC Unceded traditional Kanien'kehá:ka territory
Juliana MonkA3 Maria, Dr. Gibnor, Ferronya the Locksmith's Wife Victoria, BC Lək̓ʷəŋən Traditional Territory
Bella ReyesA3 Mishka, Shyopkin the Postmaster and Fight Captain Ottawa, ON Traditional unceded territory of the Anishinàbe Algonquin People
Erika SquiresA3 Anna, Policeman, Ivanova the Sergeant's Widow Mount Pearl, Ktaqmkuk (NL) The ancestral and unceded waters and lands of the Beothuk and Mi’kmaq
CREATIVE AND PRODUCTION TEAM – Graduating Students
Augusta LutynskiSCD3 Set and Props Designer and Scenic Painter Vancouver, BC Unceded, traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations
Nezren Pittoors-McMahonPDTA3 Set and Props Design Assistant and Scenic Painter Aylmer, QC Unceded territory of the Omàmìwininìwag and Anishinabeg
Jess J. JanderaSCD3 Costume, Hair and Makeup Designer Vancouver, BC Unceded shared territories of the, xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), səlilwətaɬ (Tsleil-Waututh) nations.
Alex SykesPDTA3 Lighting Designer St. Catharines, ON Traditional Territory of the Anishinaabeg and Haudenosaunee
Eiden FrenchPDTA3 Video Designer Bath, Maine Traditional Territory Arosaguntacook and Nanrantsouak of the Wabanaki Confederacy
Alex JoycePDTA3 Sound Designer Goulds, NL Ktaqmkuk, unceded traditional Beothuk & Mi'kmaw territory
Kahentanó:ron Bri MontourNPR Production Manager Kahnawà:ke, QC Kanien'kehá:ka Territory of the Haudenosaunee Confederacy
Beatrice FreedmanPDTA3 Technical Director Hamilton, ON traditional territories of the Erie, Neutral, Huron-Wendat, Haudenosaunee and Mississaugas
Elizabeth PagePDTA3(NP) Assistant Technical Director Calgary/Mohkinstsis (Treaty 7) Blackfoot Confederacy (Siksika, Kainai, Piikani), the Tsuut’ina, the îethka Nakoda Nations (Chiniki, Bearspaw, Goodstoney), the Otipemisiwak Métis Government (Districts 5 and 6)
Zoe DacaPDTA3 Stage Manager Grimsby, ON Traditional Territory of the Anishinaabeg and Haudenosaunee
CREATIVE AND PRODUCTION TEAM – Students
Duncan GouldIR Assistant Lighting Designer
Shea SpaffordSCD1 Costume Assistant and Dresser
Cameron GillieSCD1 Set and Props Assistant, Scenic Painter and Dresser
Shivonne StevensPDTA2 Assistant Stage Manager
Aydin DezellPDTA1 Assistant Stage Manager
Katie WebbPDTA2 Assistant Production Manager and Head of Video (Install)
João VelosoPDTA2 Head Carpenter
Dani RoyerPDTA2 Associate ATD
Sephora N'KosiPDTA2 Head of Lighting
Nico NogueraPDTA2 Head of Sound
Sara StarlingPDTA1 Carpenter/Head of Flies
Andréa de KeiserSCD1 Prop Building
Marie-Pier Bourdeau LabergeSCD1 Prop Building
Maiyah JohnsonPDTA1 Carpenter and Head of Video (Show)
Kathleen GreeningPDTA1 Carpenter/Sound Assistant
Matthew IvanoffPDTA1 Carpenter/Lighting Assistant
Tehahtkatonnions BushPDTA1 Carpenter/Crew
Teddy MacRaePDTA1 Carpenter/Crew
Kate Munro-BergfeldtPDTA1 Carpenter/Crew
COACHES - Staff
Andrea Lundy Program Director and Production Management
Rebecca Harper Head of Movement
Lauren Maykut Head of Voice
Jonathan Patterson Head of Music
Nicole Moller Fight Director/Intimacy Coach
Sue Williams Dramaturg
Marjorie Lefebvre Technical Coach
Angela Rassenti (Set and Costume Design, 2008) Properties
Véronique Pagnoux Scenic Painting
Guillaume Simard (Création et production, 2010) Head Carpenter - Scene Shop
Christian Larochelle Scene Shop Carpenter
Guillaume Ménard-Crête MN Stage Carpenter
Adrien Pihouee MN Interim Head of Lighting
Bianca Bernier MN Head of Sound
Julia Metzger Costume Project Manager
Michael Slack (Set and Costume Design, 2001) Costume Project Manager
Raphaëlle Rieu Sewist
Hugues Auguste Costume Workshop Assistant
Didier Sénécal (Set and Costume Design, 2023) Wardrobe Storage Supervisor
Floriane Vachon Wardrobe Storage Supervisor and Dresser Coach
COACHES - Professionals
Pierre-Etienne Locas Set Design
Gillian Gallow Costume Design
Véronique St-Germain Makeup
Réjean Forget Hair
Leigh Ann Vardy Lighting Design
Amelia Scott (Production Design and Technical Arts, 2014) Video Design
Troy Slocum Sound Design
Richard Feren Sound Design
Neha Ross Stage Management
Terri Gillis (Production Design and Technical Arts, 1985) Technical Direction
Mélanie Richard Cutter
Marie-Hélène Gervais Sewist
Mélanie Turcotte Costume Breakdown
Julie Fournier Eco Project Manager
Legend
Legend: AActing, SCDSet and Costume Design, PDTA Production Design & Technical Arts, DIR Directing, PW Playwriting, IR Independent Resident, NP New Pathway, NPR New Pathway Resident // 1First-year student, 2 Second-year student, 3 Third-year student
Thank you
Thank you to Kubasonics (Darren Browne, Maria Cherwick, Jacob Cherwick, Brian Cherwick & Matt Hender) for the use of music: Pryvit, Kysil, Muzha, Hony-Viter, Pana, Arkan, Polka From L'Viv, Buckwheat, Metelytsia, Dudo, Kalyna and Fai Duli
The land onwhichwearegatheredhas longservedasasite ofmeetingand exchangeamongstnations. Itispart of thetraditionaluncededterritoryof theKanien’kehá:ka,whoserichculturalheritagecontinues toteachusthatrespect, dialogue andpeacearepillarsofdemocraticgovernance.
Everything seen on stage and all that goes on behind the scenes is created by students in Directing, Production Design and Technical Arts, Set and Costume Design, and Acting, under the guidance of professional guest artists.
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