“So far, my time here at NTS has been everything I imagined it would be… I am someone who has had an unconventional pathway into theatre. I have been hungry for a rigorous and comprehensive training opportunity to deepen my artistic practice. Here, I feel nourished. I am able to carve out an intentional time and place for me to address the gaps in my learning, work with veteran theatre artists, and be exposed to the larger Canadian theatre landscape. This Independent study has allowed me to have the space and resources to gain a clearer understanding of my craft and of who I want to be as an artist.”

རིན་ཆེན་སྒྲོལ་མ་|Rinchen Dolma is a multidisciplinary theatre artist who for the last five years has been growing her practice as a director, playwright, dramaturge, performer and veteran community arts practitioner. Originally from the roof of the world, Rinchen was born in exile in Kathmandu, Nepal; she is primarily based in Tkarón:to (TO) but currently resides in Tiohtià:ke (MTL).

“Getting to train with an amazing group of industry mentors was the practical, intensive, hands on work I’ve been hungry for. Working with brilliant actors, having a directing coach, and collaborating with knowledgeable and generous designers was a game-changing experience. I felt fully embraced by NTS students and faculty alike, and after my residency I feel equipped with new tools and more confidence in my directing craft.” – Vanessa Sears

An award-winning and established actor, Vanessa Sears began her formal training in Directing in 2020 when she was selected as a recipient of the Kathleen C. Freeman Development Fund. Vanessa was a Directing Apprentice in the Musical Stage Company’s 2020 RBC Apprentice program in Toronto, where she co-directed the Banks Prize Cabaret Baapii Roho in High Park. She has since gone on to direct for The Grand Theatre, Theatre Sheridan, Talk is Free Theatre, and the Stratford Festival Meighen Forum. Vanessa’s current training includes the 2022 ThisGen Directing Cohort with Why Not Theatre and a mentorship with the Lincoln Center Theater’s resident director, Lileana Blain-Cruz. 

Vanessa is the recipient of Dora, Toronto Theatre Critics, Broadway World and Critic’s Pick awards and recently she made her Broadway debut in the original cast of New York, New York. She currently serves as the vice-chair of the board for the Canadian Green Alliance, a non-profit which aims to bridge the gap between theatre and sustainability.

Vanessa is thrilled to have been chosen for the 2023/24 Independent Study in Directing and looks forward to connecting with the community at the National Theatre School while completing her residency.  

James Viveiros is an interdisciplinary performance artist of mixed Cree, Metis and Portuguese ancestry whose career spans over 25 years, most notably as a dancer with Compagnie Marie Chouinard. Since graduating from Alberta’s Grant MacEwan University’s Musical Theatre and Dance Programs in 1998, James has performed in a range of choreographic works in festivals and theatres across the world. In 2016, with support from the Conseil des arts et des lettres du Quebec, James traveled to Tel Aviv, Israel to study with the Batsheva Dance Company under Ohad Naharin and became a certified Gaga teacher. In addition to creating and collaborating with artists across Canada, James travels frequently to share his passion and expertise in movement at various school, universities and arts institutions.

Alaina is a daring director, creator and producer based in Toronto. She is the Founder and Executive Artistic Director of award nominated indie opera company Loose Tea Music Theatre where she creates genre-defying productions that center on critical social issues, raising underrepresented voices and cross-cultural relationships. Alaina is a queer disabled artist seeking a new framework for safe and compassionate creation processes that decolonize and dismantle hierarchical practices. She was a finalist in Crow’s Theatre national RBC Rising Star Emerging Directors Prize who “will make a strong impact on the performing arts in Canada.”

Alaina undertook an extensive mentorship with Jackie Maxwell with a particular focus on the dynamics of bodies in space, and how blocking can support impactful storytelling. She also explored how collaborating with theatre actors could inform her work with opera singers.

www.alainaviau.com

“This study offered me the chance to do a deep dive into a specific area of study – allowing me to investigate, dream and gain a clearer understanding of my craft. I was given concrete tools that have helped me grow as an artist. NTS worked tirelessly to find incredible artists for me to learn from and I always felt like I was in great hands, all along the way. The discoveries I made and the possibilities we dreamed up in each session were so exciting and invigorating!” – Cherissa Richards

After working as an actor for over 15 years, Cherissa recently begun to pursue a career as a theatre director, a journey which has taken her across the country. In 2020 Cherissa took part in NTS’ inaugural Independent Study, focusing on the director’s relationship to design and the design process, working alongside mentors Julie Fox (scenography), Audrey-Anne Bouchard (lighting design), Troy Slocum (sound design), Jessica Poirier-Chang (costume design) and Mike Payette (directing).