In between this life and the next, every person must be judged. For performers, that judgement is doled out in an audition hall somewhere beyond the cosmos. Under the misanthropic eye of a tyrannical director, eight such performers have come to compete for the role of an afterlifetime: a shot at what lies beyond. Only one will be selected, and the rest will face the howling chasm of oblivion. From across the great divide of time and space, each will have to confront their deepest fears. Are any of them worthy of a chance at what’s next?
Written & Performed by: Benan Ali, Oshen Aoun, Jake Bunyan, Jake Cohen, Jake Geronimo, Meg Gibson, Carter Gulseth, Artie Lorraine, Juliana Monk, Bella Reyes and Erika Squires
Script by: Carter Gulseth
Directed by:Cherissa Richards
Based on a concept by Tetsuro Shigematsu, with dramaturgy and artistic contribution by Daniela Atiencia
Running time: 90 minutes
Content Warnings: Haze and strobe
Poster Design by: Meg GibsonA3 and Jake GeronimoA3
A Word From Our Director
I have had the extreme pleasure of meeting these artists at the culmination of their two-year Creation work. They are all incredibly smart, passionate and driven artists, and I am the lucky director who got to guide them to the finish line on this exciting project! This has been a true collaboration between all the artists and coaches involved in the making and dreaming up of this show, and they have all put their hearts and souls into this work. Deadline uniquely represents this third-year class and their big and brave imaginations. It has been a thrill and an honour to see these students rise to every challenge that is thrown at them, and I am delighted for us all to dive into this exhilarating kaleidoscope world for a spell!
- Cherissa Richards
Team
CAST - Graduating Students
Benan AliA3 James (fight captain) Edmonton, AB Traditional territory of the Cree, Dene, Nakota Sioux, Anishinaabe, and Niitsitapi
Oshen AounA3 Decimus Lebanon
Jake BunyanA3 Chase Calgary, AB Traditional and ancestral territory of the Blackfoot Confederacy, Tsuut'ina Nation, Stoney Nakoda, and home to the Métis Nation of Alberta (Districts 5 and 6).
Jake CohenA3 Janitor (composer) Tiohtià:ke/Montréal, QC Unceded traditional Kanien'kehá:ka territory
Jake GeronimoA3 Lesley Vaudreuil-Dorion, QC
Meg GibsonA3 Maeve (composer) Kingston, ON Traditional territory of the Anishinaabe, Haudenosaunee, and the Huron-Wendat.
Carter GulsethA3 Director (fight captain) British Columbia
Juliana MonkA3 Ruby-Jane (Choreographer) Victoria, BC Lək̓ʷəŋən Traditional Territory
Bella ReyesA3 Mariela Ottawa, ON Traditional unceded territory of the Anishinàbe Algonquin People
Erika SquiresA3 Stage Manager Mount Pearl, Ktaqmkuk (NL) The ancestral and unceded waters and lands of the Beothuk and Mi’kmaq
CREATIVE AND PRODUCTION TEAM – Graduating Students
Jess J. JanderaSCD3 Set and Prop Design Assistant Vancouver, BC Unceded shared territories of the, xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), səlilwətaɬ (Tsleil-Waututh) nations.
Andrea Lundy Program Director and Production Management
Caroline Aki Matsushita Guertin Dramaturge
Rebecca Harper Movement
Lauren Maykut Voice
Jonathan Patterson Music
Nicole Moller Fight Director/Intimacy Coach
Véronique St-Germain Makeup Consultant
Réjean Forget Hair Consultant
Marjorie Lefebvre Technical Coach
Angela Rassenti (Set and Costume Design, 2008) Properties
Timothy Rodrigues (Production Design and Technical Arts, 2006) Lighting Design
Cameron Davis Video Design
Michael Wanless (Production Design and Technical Arts, 2020) Sound Design
Maria Popoff Stage Management
David Surette (Production Design and Technical Arts, 1996) Technical Direction
Véronique Pagnoux Scenic Painting
Guillaume Simard (Création et production, 2010) Head Carpenter - Scene Shop
Christian Larochelle Scene Shop Carpenter
Guillaume Ménard-Crête Interim MN Stage Carpenter
Vincent Sauvé Interim MN Head of Lighting
Bianca Bernier MN Head of Sound
Michael Slack (Set and Costume Design, 2001) Costume Project Manager
Julia Metzger Costume Project Manager
Hugues Auguste Costume Workshop Assistant
Didier Sénécal (Set and Costume Design, 2023) Wardrobe Storage Supervisor
Floriane Vachon Wardrobe Storage Supervisor
Raphaëlle Rieu Stitcher Margarita Brodie (Set and Costume Design, 2020) Dye and Patina
Julie Fournier Eco Project Manager
Thank you
Violence in Motion, Sarah Pitman, Kinsey Hollis and Michael Hajj.
Land Acknowledgment
The land on whichwe are gathered has long served as a site of meeting and exchange amongst nations. It is part of the traditionaluncededterritory of the Kanien’kehá:ka, whoserich cultural heritage continues to teach us that respect, dialogue and peace are pillars of democraticgovernance.
Dates & location
Opening: October 22, 2024 at 7:30pm
October 23, 2024 at 7:30pm
October 24, 2024 at 7:30pm
October 25, 2024 at 7:30pm
October 26, 2024 at 1:00pm
Studio Hydro-Québec Monument-National Campus (St-Laurent metro) 1182 Saint-Laurent, Montréal
The show is in English.
Cast & creative team
Everything you see on stage, as well as what happens behind the scenes, is created by students from the Production Design and Technical Arts, Set and Costume Design, and Acting programs.
At the National Theatre School of Canada, we believe that theatre should be accessible to everyone. That's why we are introducing apay-what-you-can ticketing system, allowing everyone to attend our productions regardless of their financial situation.
Audiences can choose from five ticket categories based on what best suits their circumstances. Each ticket purchased not only supports our programs, but also helps make the theatre more inclusive and accessible to everyone.
The available rates are as follows:
Accessible ($5): Designed for students and individuals with low incomes.
Reduced ($10): Created for those under 30, over 65, and live performance professionals.
Regular ($20): Standard price for access to shows.
Solidarity ($40): To help make reduced-price tickets available to others.
Impact ($80): To show your commitment to supporting emerging theatre talent.
Each ticket purchased not only supports our programs, but also helps make the theatre more inclusive and accessible to everyone.