3 years of training | 14 students per year (maximum)
VOICE / MOVEMENT / TEXT / ACTING WITH THE CAMERA / CLASSICAL TEXTS / MUSICAL THEATRE / CONTEMPORARY WORKS
The Acting program is a rigorous and immersive training program that exposes the emerging artist to a wide array of theatre styles and approaches. Through core training in voice, movement, text, and music the actor builds a foundation of classical technique to support the development of their own artistic expression. In a personalized setting, students are guided and challenged by influential artists of contemporary theatre. The Acting program supports powerful and independent artists by developing each actor’s awareness of their own unique artistic process.
Rochelle Laplante (Acting, 2019, Edmonton, AB) as Scilla in Serious Money by Caryl Churchill, directed by Lezlie Wade as a graduating class show of the National Theatre School, February 2019.
Photo by Maxime Côté
Ellie Ellwand (Acting, 2017) during voice over class in the National Theatre School's sound studio.
Benjamin Thomas (Acting, 2019, Saskatoon, SK) in 7 Stories by Morris Panych, directed by Philip Akin, as a graduating class show of the National Theatre School, December 2018.
Photo by Maxime Côté
APPLICATION FORM
Fill out the online application form and pay the registration fee before January 31. We’ll be in touch to let you know about the next steps.
You must be at least 18 years old as of December 31 of the year of entry at NTS.
AUDITION
For the initial audition, applicants are asked to prepare two short monologues that must not exceed two minutes each, one from the classical repertoire and one contemporary monologue. Classical monologues must be chosen from the list provided by the School.
Consult our list of monologues
2020 auditions: considering public health safety recommendations regarding coronavirus (COVID-19), auditions have been postponed. We will be in touch with applicants who completed their registration to confirm their audition date.
CALLBACK WORKSHOP
A number of candidates are then selected for a callback workshop held over 4 days in the spring. The callback is a series of classes and workshops typical of the training at NTS. It is led by NTS faculty members and professional artists.
International candidates and those living in remote areas may send in a video audition.
The application process to the Acting program culminates with the callback workshops, held during the month of May. The callback is a series of classes and workshops typical of the training at NTS. It is led by NTS faculty members and professional artists.
Below, applicants share some thoughts about this once-in-a-lifetime experience.
“When I learned about my invitation for a callback, I was jovial. It was more than a step toward getting into NTS, it was affirmation and encouragement for me, and my potential as an actor.” –Isaac, BC
“When I heard about the callback, I threw my fist up in the air, cheered myself on, and ran around the apartment like a madman. Then I acted like it was no big deal. It was great news to hear.” –Andres, MB
“I was so happy that my eyes filled with tears. I told my mom immediately and then unsuccessfully tried to calm myself down. Ha ha.” -Dakota, QC
“I adored the class work that we did at the beginning of the day. Everyone was working their hardest and really contributing to a supportive and fun class.” –Madison, AB
“The opportunity to do voice and movement exercises really surprised me the most. I didn't know what the workshop would entail so having the opportunity to go in depth with those exercises while being guided by professionals for a couple of hours was a real treat.” -Andres, MB
“What surprised me the most about the workshop was how diverse our callback group was. I was very happy to see people not only from Canada, but from the UK and America as well. Also, seeing other actors of colour was very encouraging and representative of not only Canada's landscape, but the world as a whole.” -Dakota, QC
“The group of people I got to share the weekend with were some of the most talented and passionate people I've ever met.” –Ben, PEI
“Meeting Alisa Palmer has been an honour. I was so inspired by her after leaving my first audition that receiving a callback was a huge privilege to be able to work with her for a few more hours.” –Isaac, BC
“Because it's such an intimate and vulnerable setting over the two days, it really gave me the opportunity to get to know them well. I made some fast friends and met some kindred spirits. I felt more community and warmth in those two days than I did all year.” -Margot, ON
“I really valued the words that people gave me when I was a little flustered. It was nice to hear the journeys and advice of the other people.” –Madison, AB
“I was so blown away by the talent present and the incredible attitude that was so conducive to creation. The entire experience was incredible.” –Dustin, QC
“It was such a beautifully collaborative space, there was no sense of competition or judgment. It was all about seeing what each of us had to offer, and understanding what young people all over the country are doing with their theatre.” -Chloe, QC
“I learned so much about myself as an actor and an artist. I learned that no matter how nervous or anxious I may feel going into a situation, I am capable of opening up and being vulnerable and connecting with the people I'm with. I left the callback feeling inspired.” -Margot, ON
“The callback process was both life-changing and life-affirming for me. It really cemented the fact that acting is what I want to do with my life. This was one of the most important and most enjoyable weekends of my entire life.” –Ben, PEI
“Something I learned about myself in the workshop is that risks are something that scare me, but that's also where the heart of theatre lies... And that I need to continue to go where the fear is in order to grow as an artist.” -Dakota, QC
“The callback was one of the most inspiring artistic experiences of my life.” -Dustin, QC
NTS offers highly individualized training. As such, the curriculum is subject to change, following the latest development in technology, new artistic practices, and the needs of the unique group of artists making up each class. Our training is always practical, supported by the 20 student shows created each year.
The arc of training begins with the basics including the actor’s presence, self-awareness, active listening, and builds to the exploration of text with a focus on an understanding of action, character and story.
Over the course of the year, students move from classroom exercises, to studio presentations to full productions with a focus on repertoire designed to stretch and hone the actor’s craft and range. Content includes naturalism, period immersions in Chekov and Shaw, contemporary Canadian theatre, musical theatre projects and Shakespeare in production.
The third and final year of the Acting Program is a full season of productions in the School's theatre, the Monument-National. This includes the premiere of an original ensemble creation piece, two productions on our largest stage and two world premieres of plays written by graduating playwrights. All productions are guided by prominent Canadian and International directors and coaches.
Alisa Palmer is an internationally trained award-winning theatre director, playwright, dramaturge and theatre producer. Her work crosses genres, including the classics, contemporary plays, creation projects, musicals and operas. Ms. Palmer's work is characterized by vivid performances, a bold use of music, powerful visuals and a passionate commitment to the body politic. She is the recipient of numerous awards and has premiered and toured original and provocative theatre creations for over twenty years.
Read the bio
Our students are taught and mentored by working professional artists who have their finger on the pulse of the artistic community.
They share a wealth of theatre experience from across Canada and around the world. NTS has an overall ratio of two instructors per student. Our group of teaching artists varies each year according to student needs.
Djanet Sears
Playwright, director, and actor
Harlem Duet (1995), her most critically acclaimed work, won the Governor General's Literary Award (1998), four Dora Mavor Moore Awards and the Floyd S. Chalmers Award (1998) for outstanding new play. A later production of the play for the Stratford Festival marked another historical watermark as the first play written and directed by a black woman with an all-black cast to be presented at the festival.
David Latham
Veteran director who has worked in Canada, Australia, New Zealand, the U.K., and the U.S. He has worked as Theatre Training Consultant at Stratford Festival for 14 seasons.
Eda Holmes (Directing, 1996)
Artistic and Executive Director of Centaur Theatre, she has worked regularly as a director at the Shaw Festival, Tarragon Theatre, Canadian Stage, the Grand Theatre, London, and more.
Read the Frequently Asked Questions
CONTACT OUR REGISTRATION OFFICE
514-842-7954, ext. 134
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Because physical distance shouldn’t mean total isolation, the National Theatre School of Canada (NTS) is allocating $60,000 in support of emerging artists (as 80 grants of $750). These funds will be granted to theatre artists in training, or artists who have completed a theatre training program within the past five years, to present a piece of art online.
Apply online: https://ent-nts.ca/en/art-apart
Please note that the School's activities are suspended until May 1st. Subscribe to the newsletter to find out about the latest developments regarding the crisis.