Photo(s): Tim Leyes
Athena Kaitlin Trinh
Acting (2017)
Language(s) : English, Cantonese
Height: 5'0''
Vocal Range: Soprano, Alto
Hair Color: Dark brown
Eye Color: Brown
Productions at the National Theatre School
| Year | Role | Play | Playwright | Director |
|---|---|---|---|---|
| 2017 | Serena/Mommu | we could be clouds | Gary Mok | Nigel Shawn Williams |
| 2017 | Cordelia/Amelia/Olivia | Lear & Exit The King | Eugene Ionesco / Young Jean Lee | Brendan Healy |
| 2016 | Amanda Gronich/April Silva/Marge Murray/Various | The Laramie Project | Moisés Kaufman | Djanet Sears |
| 2016 | Margaret/Athena | Much Ado | Philip McKee with the Ensemble | Philip McKee |
| 2016 | Goneril | King Lear | William Shakespeare | David Latham |
| 2016 | Woman/Miss Tilly/Rita | Loveplay | Moira Buffini | Ann-Marie Kerr |
| 2016 | Minnie (Engaged)/Blanche (Widower's Houses)/Miss Pringle (Diana of Dobson's) | Shaw Period Study | George Bernard Shaw and others | Sharry Flett / Graeme Somerville / Marla McLean |
| 2015 | Loretta (Featuring Loretta) | Contemporary Canadian Play Study | George F. Walker | Rosemary Dunsmore |
| 2015 | Antigone/Ensemble | Full Play Study - Antigone | Jean Anouilh | Rose Plotek |
| 2015 | Phebe/Le Beau | As You Like It | William Shakespeare | Ian Watson |
| 2014 | Marguerite | Scene Study – The Coronation Voyage | Michel Marc Bouchard, tr. Linda Gaboriau | Martha Burns |
Training at the National Theatre School
Under the direction of Alisa Palmer
Acting : Brenda Bazinet, Tadeusz Bradecki, Martha Burns, Rosemary Dunsmore, David Latham, Alisa Palmer, Karen Robinson Classical Text/Shakespeare : David Latham, Ian Watson Contemporary Monologue : Diana Donnelly Devised Creation : Fatma Sarah Elkashef, Philip McKee, Ravi Jain, Thomas Morgan Jones, Ann-Marie MacDonald Film : Martha Burns, Rosemary Dunsmore, Jared Lorenz, Cassandra Nicolaou Voice/Speech : Jane Gooderham, JoJo Rideout, Laurel Thomson Dialect Coach : Jane Gooderham Voice-Over : Marcel Jeannin Choir/Music Theory : Douglas Price Solo Theatre Song : Douglas Price, Jay Turvey Alexander Technique : Kelly McEvenue Stage Combat : Anita Nittoly, John Stead, Geoff Scovell Neutral Mask and Expressive Mask : David Latham Improvisation : Mike Hughes Jeu : Adam Lazarus Movement : Rebecca Harper 20th Century Dance : Jocelyn Coutu Contemporary Dance Forms : Andrew Giday New Play Development : Brian Drader Solo Piece : Ann-Marie MacDonald, Rose Plotek Stage Make-up : Florence Cornet Theatre History : Susan Williams
Related Training
| 2016 | Playwrights' Montreal Workshop - Miranda and Dave Begin Again |
| 2012 | Creation Workshop, Theatre Passe Muraille, Toronto, ON |
| 2011-2014 | Paprika Festival and Workshops, Toronto, ON |
| 2010-2014 | Drama Major - Claude Watson Arts Program, Earl Haig Secondary School, Toronto, ON |
Professional Experience
| 2017 | A Nightmare for Oberon - Written and directed by: Julie Foster; Dark Crop Festival |
| 2017 | Banana Girlz (working title) - Fu-GEN Potluck Festival; Written by: Nathalie Younglai; Directed by: Nina Lee Aquino |
| 2017 | Language (feature film) - Directed by: Elizabeth Lazebnik; Toronto, Canada |
| 2016 | Miranda and Dave Begin Again - Written by: Rhiannon Collett; Directed by: Jesse Stong; Montreal Fringe Festival |
Related Skills and/or Interests
Dialects (RP, Cockney, London), Guitar, Muay Thai, Unarmed combat, Knife, Dagger, Rapier, Case, Broad Sword, Singer/Songwriter, Spoken Word