{"id":6261,"date":"2022-06-21T00:00:00","date_gmt":"2022-06-21T04:00:00","guid":{"rendered":"https:\/\/ent-nts.ca\/blog-rebecca-cuddy-activities\/"},"modified":"2022-06-21T00:00:00","modified_gmt":"2022-06-21T04:00:00","slug":"blog-rebecca-cuddy-activities","status":"publish","type":"post","link":"https:\/\/ent-nts.ca\/en\/blog-rebecca-cuddy-activities\/","title":{"rendered":"Rebecca Cuddy &#8211; ACTIVITIES"},"content":{"rendered":"<div class=\"o-section-gutenberg -classic o-text\">\n<p><strong>The Indigenous Artist Residency program at NTS allows Indigenous artists to expand their artistic practice. The program puts resident artists in contact with dozens of professionalartists who act as coaches and mentors during the training.<\/strong><\/p>\n<p>Rebecca Cuddy, member of the M\u00e9tis Nation of Ontario, graduatedof the Indigenous Artists in Residence Program in 2022. She isleaving NTS with several projects in development that she willcontinue to nurture. These include a confident draft of her of herfirst play. Another is a work of augmented reality which weavestogether elements of her M\u00e9tis heritage and personal beadworkpractice. &#8220;The Maydee Box&#8221; will be presented at the Festival ofLive and Digital Art this June in Kingston.<br \/><strong><\/strong><\/p>\n<p style=\"text-align: right;\"><em>&#8220;The program has just been pushing me in a very nurturing way tonot be afraid to explore things that I&#8217;ve only pondered and thought:&#8221;Well maybe one day, but no, right now!&#8221;. It&#8217;s just access to all ofthese diferent amazing teachers who have so much time tochallenge you, it&#8217;s really great.&#8221;<br \/><\/em>Rebecca Cuddy<em><\/em><\/p>\n<h2 style=\"text-align: left;\">FIRST YEAR<\/h2>\n<p><span>Rebecca began following the first-year actors\u2019 curriculum:<\/span><\/p>\n<p><span>&#8211; Daily voice and movement classes- <br \/><\/span><span>&#8211; Silent Improvisation<br \/><\/span><span>&#8211; Solo Piece (a short-form creation process)<br \/><\/span><span>&#8211; Canadian Theatre in Context<br \/><\/span><span>&#8211; Ongoing Indigenous Resistance Through Theatre<br \/><\/span><span>&#8211; Full Play Study<br \/><\/span><span>&#8211; Project Motherland<br \/><\/span><span>&#8211; Introduction to an Actor\u2019s Process<\/span><\/p>\n<p><span>Rebecca has also been participating in some classes and workshops with the Directing Program<br \/><\/span><span>&#8211; Light and Sound Design Workshop<br \/><\/span><span>&#8211; Indigenous Theatre in Canada<\/span><\/p>\n<p><span>She has also taken courses in the Playwriting and Directing programs:<br \/><\/span><span>&#8211; Free Writing<br \/><\/span><span>&#8211; Indigenous Theatre in Canada<br \/><\/span><span>&#8211; Approaches to Performance-making in a Digital Context<br \/><\/span><span>&#8211; Stage Management and Production Management seminars<br \/><\/span><span>&#8211; Performing Objects<\/span><\/p>\n<p><span>Rebecca also participated in private coaching sessions:<br \/><\/span><span>&#8211; Exploration of Creation and Dramaturgy with Jani Lauzon,<\/span><span>Yvette Nolan and Meegwun Fairbrother<br \/><\/span><span>&#8211; Foundations of Concept-building with Julie Fox<br \/><\/span><span>&#8211; Text Analysis with Andrea Romaldi<br \/><\/span><span>&#8211; Foundations of Directing with Matjash Mrozewski<\/span><\/p>\n<hr \/>\n<h2>SECOND YEAR<\/h2>\n<p><span>Rebecca has taken part in the following classes and workshops:<br \/>&#8211; Sound Design Intensive<br \/><\/span><span>&#8211; Voice Over seminar<br \/><\/span><span>&#8211; Next Gen Showcase (audition preparation for an online <\/span><span>showcase)<br \/><\/span><span>&#8211; Theatre History<br \/><\/span><span>&#8211; Free Writing<br \/><\/span><span>&#8211; Scenography<br \/><\/span><span>&#8211; Adaptation<\/span><\/p>\n<p><span>Rebecca Cuddy was invited by Alisa Palmer, the English Section\u2019s <\/span><span>Artistic Director, to speak on behalf on all anglophone students at <\/span><span>the school\u2019s AGM. Rebecca\u2019s enthusiasm, joy in creative <\/span><span>exploration and appetite for work made her an ideal <\/span><span>spokesperson.<\/span><\/p>\n<p>The last term of Rebecca&#8217;s residency was structured around projects:<br \/><span>&#8211; O<\/span><span>ngoing dramaturgical conversations with Yvette Nolan<br \/><\/span><span>&#8211; Two script workshops on her Adaptation draft of <\/span><span>Waubegeshig Rice&#8217;s 2018 novel &#8220;Moon of the Crusted Snow&#8221;<br \/><\/span><span>&#8211; Spiderwebshow commissioned Rebecca to create a work for <\/span><span>the Festival of Live and Digital Art\u2019s Alpha series (for works in<\/span><span>development.)<br \/><\/span><span> &#8211; Rebecca&#8217;s creation, <em>The Maydee Box<\/em>, was presented <\/span><span>on June 10th and 11th 2022.<br \/><\/span><span>&#8211; Rebecca acted as vocal coach on the student production of <\/span><span><em>Cabaret<\/em>, presented in the Ludger-Duvernay Theatre of the<\/span><span>Monument-National<br \/><\/span><span>&#8211; Rebecca participated in the digital Next Generation Audition <\/span><span>Showcase, along with the 3rd year Acting students<\/span><br \/><span><\/span><\/p>\n<p><strong><\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p><span>The two-year activities of <\/span><span>Rebecca Cuddy<\/span><span>, Indigenous\u00a0<\/span><span>Artist in Residence 2020-2022 at National Theatre School of Canada.<\/span><\/p>\n","protected":false},"author":1,"featured_media":2603,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[128],"tags":[],"class_list":["post-6261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/comments?post=6261"}],"version-history":[{"count":0,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media\/2603"}],"wp:attachment":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media?parent=6261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/categories?post=6261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/tags?post=6261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}