{"id":6206,"date":"2021-04-01T00:00:00","date_gmt":"2021-04-01T04:00:00","guid":{"rendered":"https:\/\/ent-nts.ca\/blog-yvette-nolan-recipient-of-the-2021-gascon-thomas-lifetime-achievement-award\/"},"modified":"2021-04-01T00:00:00","modified_gmt":"2021-04-01T04:00:00","slug":"blog-yvette-nolan-recipient-of-the-2021-gascon-thomas-lifetime-achievement-award","status":"publish","type":"post","link":"https:\/\/ent-nts.ca\/en\/blog-yvette-nolan-recipient-of-the-2021-gascon-thomas-lifetime-achievement-award\/","title":{"rendered":"Yvette Nolan: Recipient of the 2021 Gascon-Thomas Lifetime Achievement Award"},"content":{"rendered":"<div class=\"o-section-gutenberg -classic o-text\">\n<figure id=\"fig_bnk_i_6118\" contenteditable=\"false\"> <img decoding=\"async\" class=\"\" src=\"https:\/\/ent-nts.ca\/app\/uploads\/2024\/11\/Half_half_GT_Yvette-Nolan-1.jpg\" sizes=\"(max-width: 565px) 100vw, 565px\" alt=\"\" data-w=\"565\" data-h=\"425\" data-r=\"1.3294117647059\" \/> <\/figure>\n<p><em><\/em><\/p>\n<p style=\"text-align: justify;\"><em>Yvette Nolan is an Algonquin playwright, director, and dramaturg from Saskatchewan. Since her first play \u201cBLADE\u201d she has written dozens of plays, long and short, including \u201cAnnie Mae\u2019s Movement\u201d, \u201cThe Unplugging\u201d and, as a co-writer, &#8220;Gabriel Dumont\u2019s Wild West Show\u201d. From 2003 to 2011, she served as Artistic Director of Native Earth Performing Arts, Canada\u2019s oldest professional Indigenous theatre.<\/em><\/p>\n<div>\n<\/div>\n<p style=\"text-align: justify;\"><em>It is for her contribution to Canadian theatre that Yvette Nolan receives the <strong>Gascon-Thomas 2021 Lifetime Achievement Award<\/strong>. Her compelling and profound works contribute to highlight the claims and issues of Indigenous communities in Canada and to denounce the social injustices they are still experiencing.<\/p>\n<p><\/em><\/p>\n<figure id=\"fig_bnk_i_6173\" contenteditable=\"false\"> <img decoding=\"async\" class=\"\" src=\"https:\/\/ent-nts.ca\/app\/uploads\/2024\/11\/Gascon-Thomas-2021-Gil-Desautels-Yvette-Nolan-Gideon-Arthurs-Mellissa-Larivie-re.png\" sizes=\"(max-width: 938px) 100vw, 938px\" alt=\"Gascon-Thomas 2021 - Gil Desautels, Gideon Arthurs, Yvette Nolan, Mellissa Larivi\u00e8re\" data-w=\"938\" data-h=\"705\" data-r=\"1.3304964539007\" \/><figcaption>Gascon-Thomas 2021 &#8211; Gil Desautels, Gideon Arthurs, Yvette Nolan, Mellissa Larivi\u00e8re<\/figcaption><\/figure>\n<p><strong><span class=\"TextRun Underlined MacChromeBold SCXW50853058 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW50853058 BCX0\"><\/span><\/span><\/strong><\/p>\n<h3><strong><span class=\"TextRun Underlined MacChromeBold SCXW50853058 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW50853058 BCX0\">Here is Yvette Nolan\u2019s speech at the Gascon-Thomas Awards Ceremony on March 19<\/span><\/span><span class=\"TextRun Underlined MacChromeBold SCXW50853058 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun Superscript SCXW50853058 BCX0\" data-fontsize=\"11\">th<\/span><\/span><span class=\"TextRun Underlined MacChromeBold SCXW50853058 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW50853058 BCX0\">, 2021<\/span><\/span><\/strong><\/h3>\n<\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"none\">It is humbling to receive an award for Lifetime Achievement. Has it been a lifetime already? <\/p>\n<p><\/span><span data-contrast=\"none\">I suppose it is only natural <\/span><span data-contrast=\"none\">on the occasion of<\/span><span data-contrast=\"none\"> being honoured with such an award to look back and see what it is you have done, what are the choices and actions that have brought you to this moment in time. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> <\/p>\n<p><\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"><\/span><span data-contrast=\"none\">There are these moments that stick in your memory, moments that become touchstones, reminders of who you are, reminders of how you are seen in the world. When I was fourteen or fifteen, my new high school friend Margie Langer looked over her coffee cup at me and <\/span><span data-contrast=\"none\">said<\/span><span data-contrast=\"none\"> \u201cyou just say things, eh?\u201d In my first year of university, my English prof Keith Fulton gave me back a paper on <\/span><em><span data-contrast=\"none\">Riddley Walker<\/span><\/em><span data-contrast=\"none\"> with a note that <\/span><span data-contrast=\"none\">said<\/span><span data-contrast=\"none\"> \u201cyou have what Yeats called \u2018the fascination of what\u2019s difficult.\u2019\u201d In my twenties, a man I adored looked over his coffee cup at me <\/span><span data-contrast=\"none\">and said<\/span><span data-contrast=\"none\"> \u201cwhy are you so mad all the time?\u201d I have thought of those observations about me so often, they might as well be tattoos. They have all served me in this life in the theatre. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> <\/p>\n<p><\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"><\/span><span data-contrast=\"none\">It took me a long time to figure out how to use this form that I love \u2013 the theatre \u2013 to tell the stories that really matter to me. I knew that telling stories on the stage was powerful, transformative, empowering, but I was in my mid-twenties before I ever saw a play written by an Indigenous writer, performed by Indigenous actors. Living in Winnipeg, which has a huge Indigenous population, created a kind of cognitive dissonance in me \u2013 Indigenous people being both visible and invisible. <\/span><span data-contrast=\"none\">I myself<\/span><span data-contrast=\"none\"> \u2013 daughter of a residential school survivor and an Irish immigrant father \u2013 lived in both worlds, visible and invisible. I learned to love Shakespeare and Arthur Miller and Tom Stoppard and Sam Shepard.<\/p>\n<p><\/span><span data-contrast=\"none\">And then my alma mater \u2013 the Manitoba Theatre Centre \u2013 brought the Native Earth production of <em><a href=\"https:\/\/thalia.ent-nts.ca\/in\/faces\/details.xhtml?id=p%3A%3Ausmarcdef_0000052173&amp;highlight=The+rez+sisters&amp;posInPage=0&amp;bookmark=c19826a0-2b83-41da-b01f-3f5e1b5c2d57&amp;queryid=564ecadb-959d-4697-b683-9c444e9963cd\" rel=\"noopener\" target=\"_blank\">The Rez Sisters<\/a><\/em><\/span><span data-contrast=\"none\"> to town. And that changed everything. Here were seven Indigenous women onstage, here was the <\/span><span data-contrast=\"none\">rez<\/span><span data-contrast=\"none\">, here was a trickster character that transformed and transformed and was the agent of transformation for others. It was like spiritual <\/span><span data-contrast=\"none\">chiropracty<\/span><span data-contrast=\"none\">; all the things I knew suddenly aligned. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"> <\/span><\/p>\n<p style=\"text-align: justify;\"><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\"><\/span><\/p>\n<figure id=\"fig_bnk_i_6174\" contenteditable=\"false\"> <img decoding=\"async\" class=\"\" src=\"https:\/\/ent-nts.ca\/app\/uploads\/2024\/11\/Unnatural-and-Accidental-Women-by-Nir-Bareket-.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"Unnatural and Accidental Women Directed by Yvette Nolan\" data-w=\"1280\" data-h=\"848\" data-r=\"1.5094339622642\" \/><figcaption>Unnatural and Accidental Women Directed by Yvette Nolan<\/figcaption><\/figure>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p><small><span class=\"TextRun SCXW52197157 BCX0\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW52197157 BCX0\"><span class=\"TextRun  BCX0 SCXW163794280\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun  BCX0 SCXW163794280\">Yvette Nolan is an Algonquin playwright, director, and dramaturg from Saskatchewan.\u00a0<\/span><\/span><\/span><\/span><span class=\"TextRun SCXW52197157 BCX0\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW52197157 BCX0\"><span class=\"TextRun  BCX0 SCXW96730661\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun  BCX0 SCXW96730661\">It is for her contribution to Canadian theatre that\u00a0<\/span><\/span>Yvette Nolan receives the Gascon-Thomas 2021 Lifetime Achievement Award<\/span><\/span><span class=\"TextRun SCXW52197157 BCX0\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW52197157 BCX0\">.<span>\u00a0<\/span><\/span><\/span><span class=\"TextRun SCXW52197157 BCX0\" lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW52197157 BCX0\">Her compelling and profound works contribute to highlight the claims and issues of Indigenous communities in Canada and to denounce the social injustices they are still experiencing.<\/span><\/span><span class=\"EOP SCXW52197157 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/small><\/p>\n","protected":false},"author":1,"featured_media":2675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[130],"tags":[],"class_list":["post-6206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gascon-thomas-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/comments?post=6206"}],"version-history":[{"count":0,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media\/2675"}],"wp:attachment":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media?parent=6206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/categories?post=6206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/tags?post=6206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}