{"id":6109,"date":"2020-04-29T00:00:00","date_gmt":"2020-04-29T04:00:00","guid":{"rendered":"https:\/\/ent-nts.ca\/art-apart-feast\/"},"modified":"2020-04-29T00:00:00","modified_gmt":"2020-04-29T04:00:00","slug":"art-apart-feast","status":"publish","type":"post","link":"https:\/\/ent-nts.ca\/en\/art-apart-feast\/","title":{"rendered":"Art Apart: Feast"},"content":{"rendered":"<div class=\"o-section-gutenberg -classic o-text\">\n<p><iframe loading=\"lazy\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/n1H7EWEOes4\" width=\"560\"><\/iframe><\/p>\n<h5><strong>This project was presented on May 2, 8PM on Facebook. <\/strong><strong><\/strong><\/h5>\n<p><strong>About the project<\/strong><em><\/em><\/p>\n<p><span data-contrast=\"none\">A dramatic reading of <\/span><em><span data-contrast=\"none\">Feast<\/span><\/em><span data-contrast=\"none\">, <\/span><span data-contrast=\"none\">a documentary play look<\/span><span data-contrast=\"none\">ing<\/span><span data-contrast=\"none\"> into the life and legacy of British playwright <strong>Sarah Kane<\/strong>, using verbatim citations from newspaper articles, interviews, play<\/span><span data-contrast=\"none\"> <\/span><span data-contrast=\"none\">texts, and academic work on Kane. <em>Feast<\/em> speaks to an academic discipline shrouded by the unfortunate events of Kane&#8217;s initial critical reception <\/span><span data-contrast=\"none\">as an <\/span><span data-contrast=\"none\">emerging artist<\/span><span data-contrast=\"none\"> who was criticized<\/span><span data-contrast=\"none\"> rashly and without empathy for their precarity and bravery.<\/span><span data-contrast=\"none\"> <\/span><span data-contrast=\"none\">Even in these uncertain times, <em>Feast<\/em> makes concrete what artists know to be true: legacy matters. <\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:240}\"> <\/span><\/p>\n<ol><\/ol>\n<hr \/>\n<p><em>This project received financial support from the National Theatre School of Canada via the <a href=\"\/\/ent-nts.ca\/en\/art-apart-artistic-works\" rel=\"noopener\" target=\"_blank\">Art Apart program<\/a>, an emergency fund for emerging artists who are affected by physical distancing due to coronavirus (COVID-19).<\/em><\/p>\n<\/p>\n<p><strong>About the artist<\/strong><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/ent-nts.ca\/app\/uploads\/2024\/11\/Aisling_M_vignette.jpg\" alt=\"\" class=\"\" sizes=\"(max-width: 318px) 100vw, 318px\" data-w=\"318\" data-h=\"262\" data-r=\"1.2137404580153\" \/><\/p>\n<p>Originally from Baltimore, MD, <strong>Aisling Murphy<\/strong> is a critic, playwright, and dramaturg currently pursuing her Honours BA with Specialization in Theatre at the University of Ottawa. Her first play, <em>Feast<\/em>, had its first workshop at the University of Ottawa in December 2019, and is now undergoing development with the Tarragon Theatre Young Playwrights Unit in Toronto. <\/p>\n<p>An emerging academic, Aisling&#8217;s critical writing has been featured on Capital Critics Circle and The Theatre Times; this fall, Aisling will also step on as the Arts &amp; Culture Editor for the University of Ottawa&#8217;s The Fulcrum, and as a co-editor for the December 2020 edition of the online IATC journal, Critical Stages. <\/p>\n<p>Aisling&#8217;s creative and academic interests include those of post dramatic theatre, the ethics of contemporary theatre criticism, multilingual dramaturgy, and the life and legacy of British playwright Sarah Kane. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p><span data-contrast=\"auto\">\u202f<\/span><em><span data-contrast=\"none\">Three<\/span><\/em><em><span data-contrast=\"none\">\u202ffigures in\u202f<\/span><\/em><em><span data-contrast=\"none\">blue<\/span><\/em><em><span data-contrast=\"none\">\u202flight in a\u202f<\/span><\/em><em><span data-contrast=\"none\">rehearsal<\/span><\/em><em><span data-contrast=\"none\">\u202fhall. A\u202f<\/span><\/em><em><span data-contrast=\"none\">warped<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">mirror<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">stretches<\/span><\/em><em><span data-contrast=\"none\">\u202fend to end.\u202f<\/span><\/em><em><span data-contrast=\"none\">Also<\/span><\/em><em><span data-contrast=\"none\">\u202fin the\u202f<\/span><\/em><em><span data-contrast=\"none\">space<\/span><\/em><em><span data-contrast=\"none\">\u202fare cartons of cigarettes, a fast\u202f<\/span><\/em><em><span data-contrast=\"none\">food<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">paper<\/span><\/em><em><span data-contrast=\"none\">\u202fbag, a bouquet of\u202f<\/span><\/em><em><span data-contrast=\"none\">yellow<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">daffodils<\/span><\/em><em><span data-contrast=\"none\">, a set of\u202f<\/span><\/em><em><span data-contrast=\"none\">electric<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">shears<\/span><\/em><em><span data-contrast=\"none\">,\u202f<\/span><\/em><em><span data-contrast=\"none\">two<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">fire<\/span><\/em><em><span data-contrast=\"none\">\u202f<\/span><\/em><em><span data-contrast=\"none\">extinguishers<\/span><\/em><em><span data-contrast=\"none\">,\u202f<\/span><\/em><em><span data-contrast=\"none\">heaping<\/span><\/em><em><span data-contrast=\"none\">\u202fpiles of\u202f<\/span><\/em><em><span data-contrast=\"none\">newspapers<\/span><\/em><em><span data-contrast=\"none\">, and a once-white\u202f<\/span><\/em><em><span data-contrast=\"none\">bedsheet<\/span><\/em><em><span data-contrast=\"none\">.<\/span><\/em><span data-contrast=\"auto\">\u202f<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true,&quot;201341983&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p><\/p>\n","protected":false},"author":1,"featured_media":2926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[132],"tags":[],"class_list":["post-6109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-apart"],"acf":[],"_links":{"self":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/comments?post=6109"}],"version-history":[{"count":0,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/posts\/6109\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media\/2926"}],"wp:attachment":[{"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/media?parent=6109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/categories?post=6109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ent-nts.ca\/en\/wp-json\/wp\/v2\/tags?post=6109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}