Year | Role | Play | Playwright | Director |
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2017 | Lighting Designer | Exit the King & Lear | Eugene Ionesco / Young Jean Lee | Brendan Healy |
2017 | Video Designer | These Peaceable Kingdoms | Chelsea Woolley | Andrea Donaldson |
2017 | Video Designer | we could be clouds | Gary Mok | Nigel Shawn Williams |
2016 | Lighting Design Assistant (LD, Andrea Lundy) | Constellations | Nick Payne | Directed by Peter Hinton |
2016 | Lighting Design Assistant (LD, Luc Prairie) | Prom Queen: The Musical | Kent Staines | Directed by Marcia Kash |
2016 | Production Manager | The Laramie Project | Moisés Kaufman | Djanet Sears |
2016 | Production Manager/Technical Director | King Lear | William Shakespeare | David Latham |
2016 | Lighting Designer | Loveplay | Moira Buffini | Ann-Marie Kerr |
2016 | Co-Creator/Co-Director | Central Project - The Ogreling | Suzanne Lebeau, tr. Shelley Tepperman | Arianna Bardesono |
2015 | Head Electrician | Orlando | Virginia Woolf, adapt. Sarah Ruhl | Eda Holmes |
2015 | Stage Carpenter | Total Liquidation | Jordan Tannahill with the Ensemble | Jordan Tannahill |
2015 | Crew/Head of Flys | New Words Festival – The Andersons | Cliff Cardinal | Ann-Marie Kerr |
2015 | Crew/Head of Flys | New Words Festival – Cleave | Elena Belyea | Andrea Donaldson |
2015 | Asst. Stage Manager | The Caucasian Chalk Circle | Bertolt Brecht | Micheline Chevrier |
2014 | Crew | The Liar | Carlo Goldoni, tr. Grace Lovat Fraser | Tadeusz Bradecki |
2014 | Crew | Scorched | Wajdi Mouawad, tr. Linda Gaboriau | Djanet Sears |
Lighting Design and Technology : Andrea Lundy, Jason Hand, Michael Walton, Michelle Ramsay, Leigh Ann Vardy, Luc Prairie, Kaileigh Krysztofiak, David Alexandre Chabot, Mark Bye Projection Design and Technology : George Allister, Cameron Davis, Thierry Francis, Alex Williams Sound Design and Technology : Jesse Ash, Richard Feren, Thomas Ryder Payne, Matthew Waddell Production Management : Andrea Lundy, Peter Roberts Stage Management : Shauna Janssen, Sarah-Marie Langlois, Kira Maros, Maggie Palmer, Alison Peddie, Maria Popoff, Rick Rinder, Melanie St. Jacques, Kathryn Westoll Technical Direction : Chris Carlton, Peter Eaton, Terri Gillis, Mitch Jamieson, Craig Putt, Robert Rombough Directing : Arianna Bardesono Carpentry and Welding : Guillaume Simard CADD and Vectorworks : David Alexandre Chabot, Luc Prairie Health and Safety : Janet Sellery Costume Design : Jill Thomson Scenic Design : Chris Brown, Amy Keith Rigging and Electrics : Paul Court, Hervé Landreville Life Drawing : Catherine Farish Theatre History : Leah Jane Esau, Peter Roberts, Susan Williams Theatre Administration : Rick Banville, Pat Bradley, Shauna Janssen, Kathryn Westoll, Matt White Text Analysis : Nick Carpenter, Leah Jane Esau, Diana Fajrajsl, Wolfgang Noethlichs Project Coaches : Mark Bye, David Alexandre Chabot, Crystal Laffoley Theatre Technology : Richard Bélanger, Mark Bye, David Alexandre Chabot, David Jodoin
2016 | Plucked - Lighting Designer, SummerWorks Festival, Toronto, ON |
2016 | Barefoot in the Park - Lighting Designer, Ottawa Little Theatre, Ottawa, ON |
2016 | God of Carnage - Lighting Designer, Ottawa Little Theatre, Ottawa, ON |
2015 | Bedtime Stories - Lighting Designer, Ottawa Little Theatre, Ottawa, ON |
2015 | Whose Aemilia - Lighting Designer, Ottawa Fringe, Ottawa, ON |
2014 | Treasure Island - Stage Manager, Bishop's University, Lennoxville, QC |
2013 | Uncle Vanya - Asst. Lighting Designer, Bishop's University, Lennoxville, QC |
2013 | Sticks and Stones - Asst. Stage Manager, Bishop's University, Lennoxville, QC |
2012 | The Importance of Being Earnest - Asst. Stage Manager, Bishop's University, Lennoxville, QC |
2012-2014 | Venue Technician - Centennial Theatre, Bishop's University, Lennoxville, QC |
Ontario G Class Driver's Licence, Vectorworks, Lightwright 5, AutoCAD, Microsoft Office, Photoshop, After Effects, Protools, QLab, Isadora, ETC EOS series of consoles and Express